"First there came the hippies, politically and culturally rebellious participants in the counterculture of the Sixties. And then there were the preppies, materialistic and upscale, obsessed with status, who believed the privileges they took for granted were due them thanks to an accident of birth. Yuppies melded what they deemed the best of both worlds -- the materialism of the preppies absent the snobbery and the self-absorbed perfectionism of the hippie without the anti-establishment mindset. The term "Yuppie" was first used in print by Chicago Tribune columnist Bob Greene in a March 1983 piece on Jerry Rubin, a hippie-turned-yuppie, and was bandied about extensively in the 1984 presidential campaign in which Colorado senator Gary Hart, a contender for the Democratic nomination, seemed tailor-made to appeal to the fiscally conservative but socially liberal yuppie voter."
"Nearly three-fourths of yuppie households were headed by couples, and a yuppie sub-set called DINKS -- double-income, no-kids couples -- was identified. Married or not, DINKS worked long hours at professional/managerial jobs, postponed having children for the sake of their careers, and had lots of discretionary income which they used in consuming conspicuously, like good yuppies did. Yuppies often worked so hard that they had little time for sex; more than one DINK couple admitted that they had an answering machine at home just so they could talk to each other at least once a day."
"Obsession with career was a hallmark of yuppie culture. As The Yuppie Handbook (1984) pointed out, work had to be personally meaningful, emotionally satisfying, and a vehicle for self-expression. Since staying busy was de rigueur for a yuppie, advertisers targeting them found the print media more effective than television -- a yuppie was likely to record China Beach or Moonlighting for later viewing and fast-forward through the commercials anyway. Metropolitan Home and New Yorker magazines were authentic yuppie publications. Meanwhile, upscale mail-order catalogs proliferated. Richard Thalheimer's San Francisco-based The Sharper Image earned a whopping $78 million in 1983 as the "ultimate toy store for yuppies." From espresso-cappucino makers and the Corby trouser press to a bathtub hydrospa and a $5,000 tanning bed, the most popular yuppie items had to be useful as well as fun to own. A definite yuppie decor developed -- postmodern art, tile bathrooms, wood floors, bare brick walls, pastel colors, glass bricks, potted plants and stainless steel Sub-Zero refrigerators were in vogue. Yuppies led the way in gentrifying urban neighborhoods, turning warehouse lofts and run-down brownstones into valuable real estate."
"The work of talented young writers like Jay McInerney, Bret Easton Ellis and Jill Eisenstadt created a yuppie literary explosion, McInerney's Bright Lights, Big City was a huge success in 1984 and became a hit movie starring Michael J. Fox, Phoebe Cates and Kiefer Sutherland. With witty and fast-paced writing, McInerney subtly portrayed the downside of frenetic yuppie existence through a protagonist who resorts to "Bolivian marching powder" (cocaine) to help him keep up with a life in the fast lane. Bret Easton Ellis explored the foibles of the "New Lost Generation" in his bestseller, Less Than Zero (1985), while Eisenstadt scored big with From Rockaway in 1987. In Diary of a Yuppie (1986), Louis Auchincloss, though not one himself, explored yuppie morality. Some critics sniped that yuppie fiction was too trendy and superficial. While skeptics agreed that McInerney and other members of the literary "brat pack" were fresh and talented voices, they complained that these chroniclers of Eighties lifestyle fiction had very little to say of lasting worth. Yet their work endures as a window into the yuppie phenomenon."
"It seemed that many yuppies suffered pangs of guilt for being so obsessed with status. Some were ex-hippies, and the passage from hippie to yuppie was perfectly illustrated in the film The Big Chill, whose characters mourn their compromised values and missed opportunities for love and parenthood. The reconstructed yuppie was represented by the lead character in the hit television series Northern Exposure, which premiered in 1990; Dr. Joel Fleischman reluctantly embraces the abundantly anti-materialist values held by the eccentric but happy residents of Cicely, Alaska. As the decade came to a close, the term yuppie became synonymous with greed, self-absorption and a lack of social conscience, and no one would admit to being one. But in hindsight yuppies weren't all bad. As Hendrik Hertzberg, editor of the New Republic wrote, "The fact is that . . . yuppies have better taste than yesterday's well-off young adult Americans, are less ostentatious in their display of wealth, . . . set a far better example of healthful living, and are more tolerant." Here's the bottom line -- today many Americans still live the yuppie lifestyle, or wish they did."
PERCEPTIONS OF THE YUPPIE
A 1986 survey by Louis Harris and Associates found the following:
73% of Americans believed that yuppies were primarily intent on making more money; 81% of yuppies agreed that they were.
72% of the public believed that yuppies were more concerned with their own needs than with the needs of others; the same percentage of yuppies agreed.
70% of those surveyed thought yuppies bought flashy cars and clothes in order to set themselves apart from others; 81% of yuppies said this was so.
Overall, the article views Yuppies as career driven, money obsessed, materialistic and self-absorbed individuals who dominated the 1980's. In the article the author quotes an idea from the New Republic, stating the healthier lifestyle of yuppies and expresses the difference between them and today's young adult. However, in the trailer for Bright Lights, Big City we see a more extravaggant lifestyle being lead, involving drugs and alcohol.